Cookies on Dublin People website
We use cookies to ensure that we give you the best experience on our website. We also use cookies to ensure we show you advertising that is relevant to you. If you continue without changing your settings, we'll assume that you are happy to receive all cookies on the Dublin People website. However, if you would like to, you can change your cookie settings at any time by amending your browser settings.
How does Dublin People use cookies?
Cookies enable us to identify your device, or you when you have logged in. We use cookies that are strictly necessary to enable you to move around the site or to provide certain basic features. We use cookies to enhance the functionality of the website by storing your preferences, for example. We also use cookies to help us to improve the performance of our website to provide you with a better user experience.
We dont sell the information collected by cookies, nor do we disclose the information to third parties, except where required by law (for example to government bodies and law enforcement agencies).
Hide Message
  • Southside

Iconic crane rises once again

Thursday, 5th October, 2017 6:00pm
Iconic crane rises once again

Former crane operators Tony Forde, Liam O’Brien and Paddy Paisley are pictured with Eamonn O’ Reilly, CEO of Dublin Port Company, and the restored Crane 292. PHOTO: CONOR MCCABE

Iconic crane rises once again

Former crane operators Tony Forde, Liam O’Brien and Paddy Paisley are pictured with Eamonn O’ Reilly, CEO of Dublin Port Company, and the restored Crane 292. PHOTO: CONOR MCCABE

A TOPPING out ceremony for one of the Dublin Port Company’s iconic 1960s cranes was staged last week.

The bright, new addition to the city’s skyline is the 115-feet tall Crane 292.

It has been lovingly restored to its former glory on the site where it served as a workhorse loading and unloading bulky material from ships at Alexandra Quay from 1964 through to its retirement in 1997. 

It was constructed by the famed Stothert and Pitt company of Bath, whose origins dated back to the great Victorian era of engineering.

Crane 292 derived its name from its position as the second crane at berth 29 in an era when cranes were synonymous with the city and port skyline.

At that time there were as many as 60 cranes extending right down to Custom House Quay.

Eamonn O’Reilly, Chief Executive of the Dublin Port Company, said the crane’s installation is part of the “softening” of the port’s boundaries with the city.

“It is our drive to provide public amenity and realm at Port Centre for the first time in 35 years,” he said.

“The port has always been integral to the city and this is a wonderful reminder of a time when the physical operations of the port extended right into the heart of the city.

“This is a wonderful new city landmark and is a significant commitment in our Masterplan for the future development of the port.”

Dublin Port employee, Paddy Paisley, was one of several operators who regularly worked on Crane 292.

“It brings back so many memories to see Crane 292 back and literally in lights at the Port Centre,” Paddy said.

“Modern port operations have moved on so much in recent times, but it’s not that long ago that these cranes were the heartbeat of the port and ensured everyone got the goods they needed on time, on a daily basis. 

“It’s a wonderful way to remind modern citizens of the importance of the port in all our lives.”

The restoration and installation of the crane was carried by leading civil engineering firm Wills Bros on behalf of Dublin Port Company.

Project Manager for Dublin Port James Kelleher added: “The restoration and installation of the crane presented a number of significant engineering, architectural design and logistical challenges.

“This included the closure of roads and deployment of heavy machinery and the realisation of quality targets for paintwork and the rebuilding of the cab assembly to a very high specification.

“The months of planning paid off with a seamless install delivered in line with health and safety best practice.”

The Port Centre has been a hive of activity in recent months as the development of public space progresses.

Ongoing projects include the removal of a section of the existing old boundary wall to create new pedestrian entry points at Alexandra Road and East Wall Road.

Visitors will discover a landscaped “maritime” garden with seats for reflection and relaxation.

NCAD graduate and up and coming Irish artist Eimear Murphy’s new sculpture ‘The Drop’ will feature in the garden.

The sculpture is made from solid concrete and plays with notions of fluidity in its design.

The Port Company said the commissioning of this piece highlighted their long-term commitment to supporting the arts.

The Dublin Port Company says it is now focused on plans for a new internal road network, cycle lanes and pathways.

Approved by Dublin City Council and scheduled for development, the three-kilometre route will give pedestrians and cyclists access to the port estate for recreational use for the first time.

It will also include a perimeter route with vantage points overlooking the Tolka Estuary.

 

Read the digital editions of the Dublin People Northside East, Northside West & Southside here